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Hey, we're not all about just business and hard
work at Pen-Ultimate. Gotta have some fun, too! This is the part
of our site where we let our hair down a bit and share a few laughs.
In addition to our rotating cartoon of the day, here's where we
share any post-worthy comedic tidbits that we stumble across while
we're...er...working, ya, that's it. We'll also use this space to
poke fun at anything that crosses our desk that titilates our cynical
or sarcastic side. |
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| BANG YOUR HEAD! |
If you’re anything like me (and my condolences if you are),
you spent countless hours in the ’80s practicing your skills
imitating the chops of Jimi Hendrix, Eric Clapton and various other
guitar gods using implements ranging from fire pokers, brooms, hockey
sticks and, of course, your bare hands. Ah yes, the lost art of
air guitar – few things can take me back to my misspent youth
as appropriately as banging my head and playing an imaginary instrument.
Now, thanks to the wonders of technology, you can do more than
just pretend. The Virtual Air Guitar, a project developed at the
Telecommunications Software and Multimedia Laboratory and the Acoustics
Laboratory at the Helsinki University of Technology, allows you
to essentially play guitar without an instrument or – most
importantly – any musical skill.
You just put on a pair of orange gloves and wail away on your fake
axe, while a webcam films you and interprets the music you’re
playing through the physical sound model software. The result is
actual musical output “played” by you. Had this existed
back in the day, I might never have left home. Check it out at airguitar.tml.hut.fi. |
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Daily Cartoon from CartoonStock.com
© original artist c/o CartoonStock.com
- unauthorised reproduction is illegal |
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| CURRENTLY IN THE CD PLAYER |
| Phish – The Siket Disc, 2000 |
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When
the Grateful Dead wound up, the natural progression of Deadheads
everywhere was to flock to Phish, who quickly established themselves
at the head of the hippie band movement in the early ‘90s.
The Siket Disc, named after engineer/mixer John Siket,
is a fascinating by-product of the recording sessions for the band’s
1998 album, The Story of the Ghost. Siket, who has produced
work from such luminaries as Medeski, Martin and Wood, The Replacements,
and Diesel, culled this disc from approximately 75 hours of session
jams, boiling it down to a 35-plus minute set of purely improvisational
tracks.
The result, while not really a conventional album, is a generally
very atmospheric and hypnotic package, rock’s spacey groove
answer to the chill out, get-in-the-beanbag-chair scene. The
Siket Disc’s classic is “What’s the Use?”
featuring a jazzy, bluesy riff that serves as a backdrop for some
tremendous wailing guitar work with a scaled down, mellower Robert
Fripp-like feel to it.
Fans of Brian Eno’s sampling techniques on My Life in
a Bush of Ghosts will enjoy “Fish Bass,” one of
the disc’s shorter offerings. “Quadraphonic Toppling”
is another short jam, but much more minimal in its scope. “Insects”
is about as Fripp as it gets in its frenetic guitar work.
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| PREVIOUS CD REVIEWS: |
• Llorca, New
Comer • Les
Gammas, Exercices de Styles
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